Publications (Selected)
AGNI: “Sub-Pastoral”
American Literary Review: “Pax Americana”
Baltimore Review: “Portrait with Elegy and Iodine”
Bennington Review: “Wartime, Rally’s Drive-In”
Best New Poets 2020: “Badlands Flashback”
Booth: “The First Place”
Cimarron Review: “Logic of the Dead”
Cincinnati Review: “Gas & Food” and “Dear leasing office, dear oil slick”
Columbia Poetry Review: “The Man My Parents Hoped to Raise” and “Mesa Verde”
Copper Nickel: “Loneliness in the Key of Sprawl” (forthcoming)
Crab Orchard Review: “Car Crash in Reverse”
Crazyhorse: “Stuck Song Syndrome”
Cream City Review: “Montage with Honda and Squall”
Day One (Amazon): “To the Dying Bees”
Denver Quarterly: “Monster Movie”
Diode: “U.S. 40, Colorado” and “To My Son Henry, Asleep in the Next Room”
Dunes Review: “The Nest”
Florida Review: “Autotopia (Macomb County, MI)”
Hilltop Review: “How to Be Held”
The Journal: “Autotopia (Rochester Hills, MI)”
Juxtaprose: “Night Cycle”
Kenyon Review: “Aubade Where Things Are Pretty Good Actually,” “Bus Stop Promenade,” “Lo-Fi Citadels”
Life After Death (anthology, Tolsun Books): “Major Magic’s Animatronic Band”
Los Angeles Review: “For the Pianist on Smoke Break Outside the Grand Rapids Ballet Company”
Louisville Review: “Kid Myths” and “Notes Toward a New Language”
Mid-American Review: “Silent Tires”
Midwestern Gothic: “Between Bodies”
Nashville Review: “Church can be a word for anywhere”
New Poetry from the Midwest 2019: “Carried” (reprint)
Normal School: “Telway Lament”
North American Review: “Incidental Portrait”
The Offing: “The Waiting Room”
Pinwheel: “Elegy with an Unraveling Cassette”
Ploughshares: “Carried”
Poetry Daily: “Future Ruins” (reprint, forthcoming)
Posit: “A Well-Trimmed Field” and “The Church of Autumn”
Prairie Schooner: “Disaster Grocery”
Prelude: “Man Matching Description” and “At the Checkout of Val’s Pet Supply”
Rattle: “For an Infant Doused in Gasoline”
RHINO: “On the Demolition of Produce Kingdom”
Rust & Moth: “Bees, Dirt Road”
Salamander: “Diorama”
Sixth Finch: “Quizzo Night at The Red Ox”
Sonora Review: “Elegy for the Dymaxion Car”
Southeast Review: “The Neighborhood Only Returns in Fragments” (forthcoming)
Stirring: “Elegy with a Red Wagon”
Tahoma Literary Review: “Listen”
Third Coast: “Key Motor Mall”
Thrush: “Cicada Song”
Tishman Review: “Vital Organs”
TriQuarterly: “Night Music” and “After News of a Border Shutdown, I Venture Out for Fries”
Vinyl Poetry: “Trace”
Virginia Quarterly Review: “Perpetual Motion” (forthcoming)
Waxwing: “Aubade with Mr. Coffee and Commute” and “Autotopia (Detroit, MI)”
Washington Square Review: “Unpunctuated Days”
The West Review: “Deep Cuts”
Whiskey Island: “Second-Hand”
Witness: “Future Ruins” (Winner of Witness Poetry Award)
Zone 3: “High Water”